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Saint-Louis Blaise (Haitian, 1956-1993) 40"x30" Mystical Female Figure 1981 Oil on Canvas Unframed Painting #1CZ

Saint-Louis Blaise (Haitian, 1956-1993) 40"x30" Mystical Female Figure 1981 Oil on Canvas Unframed Painting #1CZ

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Description

This striking oil on canvas by Haitian artist Saint-Louis Blaise, painted in 1981, offers a powerful and visually captivating exploration of femininity, spirituality, and inner strength. A luminous female figure emerges through layered planes of color and translucent forms, her presence both serene and commanding. Rich reds, deep greens, and warm earth tones create a glowing atmosphere that draws the viewer in, while the artist’s fluid handling of paint gives the composition a sense of movement and emotional depth. Blaise’s mature style is evident in the balance between figuration and abstraction, allowing the work to function equally as a symbolic statement and a bold decorative centerpiece. The painting’s generous scale gives it strong wall presence, making it an ideal acquisition for collectors seeking a distinctive and expressive example of late 20th-century Haitian painting. Whether displayed in a private residence or an institutional setting, this work offers lasting visual impact and cultural resonance. The painting is offered unframed. It comes from a private collector in Canada, from whom it will be shipped directly. The artwork is in good condition with age-appropriate surface characteristics consistent with the medium. A Certificate of Authenticity will be issued by Myriam Nader Haitian Art Gallery upon purchase, ensuring confidence and value for the collector.

About this artist

St. Louis Blaise (February 11, 1956–1993) was a Haitian painter born in Cap-Haïtien, known for highly precise draftsmanship and a realist approach shaped by disciplined observation. He began his career in 1971 and trained for two years under Jean-Baptiste Bottex and Seymour Bottex, developing a careful, methodical technique in which design and detail are essential. His paintings reflect patience and minute attention to form, giving his subjects clarity, structure, and strong visual impact. Early in his career, Blaise focused on Haitian history, especially the early nineteenth century, exploring themes of the Revolution, the Empire, and the Kingdom of Henri Christophe. Many of these works evoke the grandeur of Sans-Souci Palace, populated with feather-decked generals and ceremonial pageantry, rendered in a “primitive” (self-taught, folk) narrative style.Sometime in the mid-to-late 1970s or early 1980s, Blaise transitioned away from primarily historical subjects and developed the satirical genre paintings for which he became best known: exaggeratedly obese members of the Haitian bourgeoisie. This shift marked a move toward a more hyper-realistic finish and a sharper social commentary, while maintaining the disciplined precision that defined his technique. Alongside these genre scenes, he also produced more decorative works, including bouquets, fruit-laden trees, and vividly colored underwater panoramas.His paintings are held in the permanent collections of numerous museums and have been widely exhibited in reputable galleries. His work has been particularly sought after and trendy in France, where collectors and audiences have shown sustained interest in his distinctive blend of history, satire, and technical refinement.
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