Wilson Bigaud (Haitian, 1931-2010) 5.50"x19" Exile in Egypt 1972 Oil on Board Unframed Painting #45-3-96GSN-Fondation Marie & Georges S. Nader
Wilson Bigaud (Haitian, 1931-2010) 5.50"x19" Exile in Egypt 1972 Oil on Board Unframed Painting #45-3-96GSN-Fondation Marie & Georges S. Nader
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Description
Description
This painting by Wilson Bigaud depicts the biblical scene of the Holy Family’s flight into Egypt. Mary rides a donkey while holding the infant Jesus in her arms, and Joseph walks alongside her, holding a staff. The figures are set against a backdrop of rolling green hills beneath a bright sky filled with stars and a golden sun, creating a spiritual and pastoral atmosphere. The painting is on board and shows signs of age and handling. The edges, particularly at the corners, exhibit noticeable wear, including small losses, chipping, and minor delamination of the surface layer. The painted surface has scattered abrasions and areas of light fading; however, the central composition remains stable, with colors largely intact and vibrant. There are no significant structural cracks visible in the board, and the work appears sound overall. Some evidence of surface soiling and age-related discoloration is present. Despite these issues, the painting retains good visual integrity, and the imagery remains clear and engaging. Art critic Gerald Alexis carefully selected this piece for the collection of the Marie & Georges S. Nader Foundation. It is now available for sale at the Myriam Nader Haitian Art Gallery in New York. Our gallery will provide a certificate of authenticity with the purchase.
About this artist
About this artist
Wilson Bigaud (1931–2010) is widely recognized as one of the great masters of Haitian art. He began painting at the remarkably young age of fifteen under the guidance of the legendary Haitian pioneer Hector Hyppolite, whose influence helped shape Bigaud’s early artistic direction. His first works were distinguished by golden light, warm tonalities, and a natural sense of harmony that quickly drew attention. Working for many years in the quiet coastal town of Petit-Goâve, Bigaud created beautifully detailed, often humorous scenes drawn from Haitian daily life. His innate sense of color—used to model forms with subtlety and emotional depth—became a hallmark of his style. As art historian Gérald Alexis notes in Peintres Haïtiens, Bigaud “uses an innate sense of color effects to model various forms,” though he later experienced significant stylistic changes due to periods of depression in the late 1950s. Bigaud’s achievements earned him international recognition, and his work is represented in the permanent collection of the Museum of Modern Art in New York, as well as in important galleries and collections in Haiti and abroad. His legacy remains foundational to the evolution of modern Haitian art.
