Jean-Louis Senatus 10"x12" Dreamy Landscape 2009 Oil on Canvas Painting #11-3-96GSN-NY
Jean-Louis Senatus 10"x12" Dreamy Landscape 2009 Oil on Canvas Painting #11-3-96GSN-NY
常规价格
$2,000.00
常规价格
$2,500.00
促销价
$2,000.00
单价
单价
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Description
Description
Jean-Louis Sénatus’s Dreamy Landscape (2009) is a luminous, collector-ready oil on canvas that transforms the Haitian countryside into a serene, atmospheric vision. Soft gradients of sky and land, layered foliage, and gently simplified forms create a peaceful sense of depth—an inviting work that brings warmth and calm to any interior. Sénatus’s confident color harmonies and refined brushwork make this painting an ideal acquisition for both new and seasoned collectors seeking a strong example of contemporary Haitian landscape painting. This artwork belongs to the private collection of Georges S. Nader and is offered for sale as-is in good condition. Presented by Myriam Nader Haitian Art Gallery, the work includes provenance and a Certificate of Authenticity issued upon purchase.
About this artist
About this artist
Jean-Louis Sénatus (born August 16, 1949, in Léogâne, Haiti) is a Haitian painter celebrated for atmospheric, dreamlike compositions and a refined command of color. He began drawing and painting in 1967 and pursued formal studies in Port-au-Prince at the Lope de Vega Institute and the Hall of Plastic Arts in 1969. Early in his career, he worked for a year with the Greek painter Scordillis, an experience that helped shape his technical confidence and artistic direction.In 1968, Sénatus received second prize in an Air France–sponsored poster competition in Port-au-Prince. From 1975 to 1983, his work was exhibited internationally in Martinique, Guadeloupe, Denmark, France, Switzerland, Curaçao, the United States, Italy, and England—establishing his presence beyond Haiti’s borders. Sénatus is often associated with “neo-primitive” painting for his poetic, imaginative imagery, yet his technique reflects disciplined virtuosity. His paintings are distinguished by transparent, finely nuanced color and a distinctive approach in which each composition becomes a focused harmony—often a cameo of one or two tones—applied with such delicacy it can feel almost airbrushed or “sprayed” onto the canvas. As noted in La Peinture Haïtienne / Haitian Arts (Marie-José Gardère, Éditions Nathan, Paris, 1986, p. 181), this luminous palette shifts his vision toward distant climates of the imagination, transforming each work into a quiet, resonant dream-space.
