Ismael Saincilus (1940-2000) 16"x20" Vodou Celebration c1980 Oil on Canvas Unframed Painting #1YN
Ismael Saincilus (1940-2000) 16"x20" Vodou Celebration c1980 Oil on Canvas Unframed Painting #1YN
通常価格
$2,500.00
通常価格
セール価格
$2,500.00
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Description
Description
This original oil on canvas by Haitian master Ismael Saincilus (1940–2000) depicts a vibrant Vodou Celebration filled with movement, music, and spiritual energy. Figures dressed in richly patterned garments dance and carry ritual objects, surrounded by vivid foliage and symbolic motifs. The scene radiates rhythm, faith, and cultural pride—hallmarks of Saincilus’s distinctive artistic vision. Renowned for his intricate decorative style and for merging the sacred with the everyday, Ismael Saincilus is celebrated as one of Haiti’s most important modern painters. His works often draw from Vodou traditions, Haitian folklore, and the vibrancy of communal life, executed with meticulous detail and masterful color harmony. This painting comes from a prestigious private collection in the Dominican Republic and remains unframed and in excellent condition. Upon purchase, we will issue a Certificate of Authenticity (COA). A powerful representation of faith and unity, Vodou Celebration captures Saincilus’s artistic devotion to the soul of Haitian culture.
About this artist
About this artist
Ismael Saincilus (1940–2000) was born in Petite Rivière de l’Artibonite, Haiti. He began painting in 1956 and rose to prominence as one of Haiti’s most influential contemporary artists. His works blend elements of Vodou symbolism and Christian spirituality, creating visually intricate compositions celebrated for their sacred resonance and cultural depth.
Renowned for his iconic “Madonnas,” Saincilus developed a distinctive linear technique that envelops his figures in elaborate webs of color and form. As noted by art historian Gérald Alexis in Peintres Haïtiens, “Saincilus’ complex use of lines places his characters in a web of colored lines.” Beyond his artistic mastery, Saincilus directed the Ceramics Center in Deschapelles, where he trained artists such as Michelange Altidort and Carlos Jean Baptiste. His enduring influence continues to shape Haitian art, bridging faith, folklore, and fine artistry in timeless harmony
