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Dieudonne Cedor (1925-2010) 16"x20" Haitian Village Scene c1979 Oil On Canvas Unframed Painting #5ML
Dieudonne Cedor (1925-2010) 16"x20" Haitian Village Scene c1979 Oil On Canvas Unframed Painting #5ML
ee98cfa8-f212-a714-b578-59d8ba95c152
92d2dc53-1a90-452b-a4ec-9ea65808b399
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Description
Description
This intimate oil on canvas by Dieudonné Cedor presents a lyrical vision of rural Haiti rendered in the artist’s signature modernist style. A cluster of modest village houses with warm ochre and rose-colored roofs rests beneath towering, elongated trees that rise rhythmically into a misted blue-green sky. Figures move quietly through the composition—one woman stands in the foreground with composed stillness, while others walk between homes and open spaces—suggesting the steady cadence of daily village life. Cedor’s masterful balance of saturated greens, atmospheric blues, and sunlit architectural tones creates both depth and serenity. The softened modeling of the hills and foliage contrasts with the structured geometry of the houses, reflecting the artist’s refined compositional discipline. His simplified figures, elongated vertical elements, and restrained perspective align with the evolution of Haitian modernism during the late 20th century, where narrative clarity merges with expressive color harmonies. Signed lower right, this painting exemplifies Cedor’s enduring commitment to portraying Haiti’s rural environment with dignity, tranquility, and structural elegance. The work is in good condition and is offered unframed. It is sourced from a private collector in Ontario, Canada, and will ship directly from Canada. A compelling example of Dieudonné Cedor’s village compositions, this piece reflects the artist’s ability to elevate everyday Haitian life into a timeless and collectible modernist landscape.
About this artist
About this artist
Dieudonné Cédor (March 8, 1925–September 27, 2010) was a major Haitian painter born in L’Anse-à-Veau and recognized as one of the leading figures of modern Haitian art. He joined the Centre d’Art in December 1947, where he studied under the supervision of Rigaud Benoit, who introduced him to the foundational principles of pictorial art. Dewitt Peters, founder of the Centre d’Art, quickly recognized Cédor’s talent and leadership, appointing him chief of the studio. In 1949, Cédor was selected as a member of the Centre d’Art’s administrative committee. During a period of institutional conflict between artists and management, he was elected president of the Haitian Artists Association. He later became a founding member of the Foyer des Arts Plastiques (F.D.A.P.) and served as its director from 1952 to 1956, playing a crucial role in shaping Haiti’s postwar artistic infrastructure. In 1956, alongside Luckner Lazard and Roland Dorcély, Cédor co-founded Galerie Brochette, where he remained active until 1962. In 1957, he was appointed director of the Museum of Beaux-Arts of Port-au-Prince, further cementing his influence as both an artist and cultural leader. Cédor’s work spans a wide emotional and thematic range, addressing daily life, social realities, joy, sorrow, and the tensions of the human condition. As noted by Gérald Alexis in Peintres Haïtiens, “Cédor can handle any subject expressing joy or sorrow, the splendors, and anxieties of life.” His name appears in all major reference books on Haitian art, underscoring his lasting legacy

ee98cfa8-f212-a714-b578-59d8ba95c152
92d2dc53-1a90-452b-a4ec-9ea65808b399
